Shiva-Rama-Krishna: The Three Ideals
In the Indian tradition, the deities Shiva, Rama, and Krishna have been revered by the learned and the lay for millennia. While Rama and Krishna were historical...
In the Indian tradition, the deities Shiva, Rama, and Krishna have been revered by the learned and the lay for millennia. While Rama and Krishna were historical...
The personalities of Chanakya and Chandragupta were of similar eminence, similar spirit; the supreme testimony to this fact is that such a large empire was mana...
Nīlakaṇṭhadīkṣita’s Time, Place and Family Background In its literary history that spans several millennia, Sanskrit has been enriched by the works of innumera...
Kālidāsa has probably provided us with the finest pictures of the pure life led by sages in hermitages. It is among the many things that he has pioneered. From...
Adhyāyas 54-61 : Ādivaṃśāvataraṇa -parva The ādivaṃśāvataraṇa-(upa-) parva spans eight adhyāyas – from the fifty fourth to the sixty first. In the beginning of...
Kumārasambhavam The epic opens with a magnificent hyperbole describing the great Himalayan mountains: स्थितः पृथिव्या इव मानदण्डः ||The Himalayas is like a grea...
An account of the historic battle for the conquest of the Nijagal Fort involving Peshwa Madhava Rao I, Hyder Ali, and Madakari Nayaka.
A paper titled “The Perspective of Practical Vedānta in the Works of M. Hiriyanna” was presented by Arjun Bharadwaj at the international conference “New Frontie...
Kālidāsa is known as the master of similes. The Sanskrit tradition has proclaimed it as ‘Upamā Kālidāsasya.’ The variety, depth and appropriateness of his simil...
Adhyāyas 4-12. Pauloma-parva The adhyāyas from 4 to 12 form the Pauloma-parva. Just like the anukramaṇikā (prologue), this section starts with a prose passage....
III We shall now turn to the role of idiomatic language in poetry. As we all know, idiom is the life of any language. It is the hallmark of a great poet to empl...
The focus of this article, as evident from the title, is on the role played by meter, idiom, diction and figures of speech—features that enrich the total aesthe...