{ಜಲೋದ್ಧತಗತಿ} ಪೃಥ್ವೀವೃತ್ತದ ಪ್ರಸ್ತಾರದಲ್ಲಿ ‘ಜಲೋದ್ಧತಗತಿ’ ಎಂಬ ಪ್ರಬಲವಾದ ಲಯಾನ್ವಿತ ವೃತ್ತ ಗರ್ಭೀಕೃತವಾಗಿರುವುದು ಮತ್ತೊಂದು ವಿಶೇಷ: ಪೃಥ್ವೀ [u – u u u – u – u u u –]...
Hanumān, Aṅgada, Tāra, and other vānaras looked for Sītā in all possible places in the direction indicated by Sugrīva. They searched the caves and thickets of t...
The story of Śvetaketu and Pravāhaṇarāja (chāndogya) continued The king was sad to know this. “Such a thing can be imparted only to a worthy śiṣya who has prov...
The summary is this. Daiva is hidden, a secret. It comes suddenly and unexpectedly, and cannot be grasped by the logic of causality. The word in Saṃskṛta is “āk...
Yaśovarmā, Bhavabhūti’s contemporary, is the author of the now-unavailable play, Rāmābhyudaya. Eminent aestheticians such as Ānandavardhana have held this work...
Once the sky was free of clouds, Rāma, who had waited patiently the entire rainy season, was overcome with intense desire to regain the company of Sītā. He look...
The superiority of Prāṇa (Chāndogya) continued The mouth (tongue) came forward, “Let me go away for a year. Then you’ll all know my value.” saying so it went a...
Since saṃsāris are thus different from saṃnyāsis, the interest and regard of saṃsāris towards karma is different from that of saṃnyāsis. However,the meaning tha...
Vālī’s wife Tārā heard that her husband had been struck down by an arrow shot by Rāma. She rushed out with her son from her cave-residence. At the sight of Rāma...
Upakosala (Chāndogya) continued After three agnis instructed Upakosala, one amongst them, Gārhapatyāgni said, “Upakosala, I’ve four bodies, Pṛthvī, Agni,...
Managing the family is a vrata. Marriage is a dharmic ritual. The transactions with the world that is done for these are opportunities for performing dharma. Ho...
In the plays written by the great poet Bhavabhūti we find passages that not only reveal his personality and learning, but also his insights into literary aesthe...