Ch. 4 Yoga of Unattached Karma (Part 5)
Selfless Karma Who should follow the principle of not wanting results for one’s duties? Those who are seeking mokṣa. How many of us are wishing for mokṣa? Sure...
Selfless Karma Who should follow the principle of not wanting results for one’s duties? Those who are seeking mokṣa. How many of us are wishing for mokṣa? Sure...
Bhavabhūti was a Sanskrit poet par excellence. He lived in the eighth century CE. A thorough scholar of many branches of Indian learning, he composed three play...
We used the traditional accompaniments of Yakṣagāna, namely caṇḍè and maddalè. To enhance the melody, however, we included flute and violin as accompaniments. F...
There, he found a yakṣiṇī, who had a divine charm. She was in the company of her maidens. Śrīdarśana saw that they were carrying varieties of delicacies and dri...
Seetharamiah’s Hospitality In the next week or ten days, I reached Delhi. Seetharamiah was waiting at the train station by the time the train reached. I asked...
APPENDIX ‘Deśābhimāni’ One of the most important political situations during Seshadri Iyer’s tenure was related to newspapers. In the city of Mysore, a person...
Über-human and sub-human characters do not produce rasa unless they are ‘humanized’ – this is a fundamental tenet of aesthetics. A great poet knows from experie...
Now, moving on to bhāgavatikè. As mentioned earlier, vācikābhinaya of Yakṣagāna is of three kinds and that rendered by the bhāgavata is a major component. Ther...
After he cured all of Guṇākara's wounds, Mṛgāṅkadatta continued on his voyage. One night, he was fast asleep under a tree in Vindhyāṭavi. When he was awakened f...
It was a common scenario for conservative-minded audience of traditional Yakṣagāna to brush aside our presentations as falling into the Bharatanāṭya genre. They...
Arjuna is hasty. Initially, he was eager to fight. Then, he was eager to give up fighting. Vikarma is the result of this haste. Therefore, the following is said...
Let us proceed to the sixth act of Abhijñānaśākuntala. Duṣyanta has made a painting of Śakuntalā. The vidūṣaka takes one look at it and exclaims: “Madhurāvasthā...