भारतीय क्षात्त्र परम्परा - Part 39
चन्द्रगुप्त विक्रमादित्य ने जो भी निर्णय लिए तथा जो भी संबंध स्थापित किये थे वे सब शास्त्रानुसार तथा परम्परानुगत प्रथा द्वारा मान्य थे। उसके शासन काल में सनातन...
चन्द्रगुप्त विक्रमादित्य ने जो भी निर्णय लिए तथा जो भी संबंध स्थापित किये थे वे सब शास्त्रानुसार तथा परम्परानुगत प्रथा द्वारा मान्य थे। उसके शासन काल में सनातन...
A similar example can be seen even in business : (1) Adhiṣṭhāna = Capital and site of business (2) Kartā: the businessman’s and his knack (3) Karaṇa: the stock...
4.7. Illustrative Verses As we have observed previously, the illustrative verses composed by Bhoganātha are of inestimable value to understand Sāyaṇācārya’s pe...
Sonnavadi is a small village. It might have originally been called Svarṇavāḍi. Head of that village was a man called Sonnegowda. People often talked about Bhiss...
We don’t know if there are more plays written by Bhāsa. We have been able to find fourteen now. Many compendiums of poems quote quite a few verses that are supp...
अपने छोटे भाई की सफलता के कारण रामगुप्त में ईर्ष्याभाव बढ़ने लगता है और वह अपने भाई को विभिन्न तरीकों से क्रूरता पूर्ण व्यवहार करता है। उसने अपने भाई की हत्या क...
There are two opposite energies hidden in music. One excites, inflames, and disturbs the mind. The other steadies it and calms it down. One helps in concentrati...
4.5. Dhvani As a devout follower of Ānandavardhana, Sāyaṇācārya accepts three śabda-vṛttis: abhidhā, lakṣaṇā and vyañjanā. He does not admit tātparya: तात्...
The nature of Duryodhana in Ūru-bhaṅga is different from the manner in which he is portrayed in the plays Dūta-vākya and Dūta-ghaṭotkaca. In the segment of the...
यह जानते ही विरूढक आपे से बाहर हो गया। ‘इन लोगो ने मेरे पिता को भी धोखा दिया और अब मेरा भी अपमान कर रहे है’ यह कहते हुए उसने संपूर्ण शाक्य समुदाय का ही नाश कर द...
We said in (5) that time is when existence is comprehended. Comprehension is the characteristic of the ātmā. That itself is ‘cit’ or ‘cicchakti’. Existence i...
Let us now examine some of the salient features of Poetics expounded by Alaṅkāra-sudhānidhi. 4.2. Poet and Poetry The Indian aesthetic tradition holds rasa as...