Saṃskṛta-nāṭaka - Śūdraka (Part 1) - The Playwright
It is hard to say when and where Śūdraka was born. The following verses that occur at the beginning of his play, the Mṛcchakaṭika, provide us with some details...
It is hard to say when and where Śūdraka was born. The following verses that occur at the beginning of his play, the Mṛcchakaṭika, provide us with some details...
Bhāsa’s plays contain quite a number of novel and fresh ideas and emotions. He also brings in proverbial statements through the dialogues of the characters; the...
We don’t know if there are more plays written by Bhāsa. We have been able to find fourteen now. Many compendiums of poems quote quite a few verses that are supp...
The nature of Duryodhana in Ūru-bhaṅga is different from the manner in which he is portrayed in the plays Dūta-vākya and Dūta-ghaṭotkaca. In the segment of the...
Dūta-vākya continued ... War was inevitable; Bhīṣma sleeps on a bed of arrows; the first ten days of the war was led by Bhīṣma. On the eleventh day, Droṇa was...
Madhyama-vyāyoga, Dūta-vākya, Dūta-ghaṭotkaca, Karṇa-bhāra, and Ūru-bhaṅga are the other plays authored by Bhāsa based on the Mahābhārata. It is hard to say if...
Continued from the previous part ... Virāṭa, Uttara, Pāṇḍavas and Abhimanyu constitute the third group of people. It is almost impossible to undertake an exclu...
The play Pañca-rātra does not contain some of the bitter episodes that are present in the original Mahābhārata; for instance, in Bhāsa’s version, Kīcaka does no...
The Bāla-carita is a play based on the childhood of Bhagavān Śrī-kṛṣṇa. The following is the summary of the plot: Vasudeva crosses the river Yamunā, reaches the...
The play Cārudatta (also called Daridra-cārudatta) is based on stories popular in the folk tradition. The play has a significant place in the history of...
As Svapna-vāsava-dattā is the most famous among Bhāsa’s plays and Pratijñā-yaugandharāyaṇa forms its prequel, we took them up for analysis first. In fact, we sh...
The story that began in Pratijñā-yaugandharāyaṇa continues in the play Svapna-vāsavadatta. Yaugandharāyaṇa and Vāsava-dattā work together in order to get Udayan...